Nerdy Explanations

Comparing sensor readout methods of the Nikon Z6 (Sony a7 III) vs the Nikon Z7 (Sony a7R III) for video. Oversampling, Line Skipping, Pixel Binning, & Cropping.

HDMI Cables for Cameras: Everything You Need to Know Video covering the different HDMI versions, cable types and speed ratings, data rates, connectors, & a guide to purchasing the right cable for your camera. Thanks for watching, please like, comment, & subscribe. Part 2: https://youtu.be/2BY0T_UY06U Recommended Cables:Standard HDMI Cable: http://geni.us/yp94rYMicro HDMI Cable: http://geni.us/WSWCMini HDMI Cable: http://geni.us/LYIlGTDStandard to Micro Adapter: http://geni.us/vhSs Table of Contents:1:20 – What Is HDMI & What Are Its Versions?2:22 – How These Versions Affect the Camera’s Output3:29 – Do You Need To Buy New Cables?3:50 – HDMI Cables Do Not Have the Same Versions (1.4, 2.0, etc.)4:20 – Standard HDMI Cable vs High Speed HDMI with Ethernet4:50 – How Age, Quality, & Length Affects HDMI Speed5:32 – Long HDMI Cables May Not Allow 4K606:26 – …Unless You Get an HDMI Repeater6:38 – Do You Need a Premium High Speed HDMI Cable?7:30 – What about Ultra High Speed HDMI Cables?7:54 – What’s New in HDMI 2.1?8:45 – What Cables Do I Recommend? Amazon Basics!9:30 – Quality Cables Don’t Have to Be Expensive9:59 – What Does Gold Plating Do?11:20 – The Three Main HDMI Connectors (Type A, C, & D)11:34 – Why I Prefer Type A over Micro or Mini12:01 – The Best Cables for a Micro HDMI Camera12:41 – Straight vs Angled HDMI Adapters13:10 – Big & Bulky Cables vs Coiled HDMI Cables14:01 – How Amazon Basics HDMI Cables Solve These Problems14:23 – A Better Kind of Micro HDMI Adapter Gear I Use to Make Videos:https://kit.com/GeraldUndone/video-gear Follow Me:TwitterInstagramFacebook Affiliate Links:Some of the links in my video descriptions are affiliate links, which means, at no extra cost to you, I will make a small commission if you click them and make a purchase. If you have a different purchase in mind and would still like to support me, you can use these storewide links below.Amazon: http://geni.us/1m1G32B&H Photo: https://bhpho.to/2MYRKBE Camera Canada:A large portion of the gear I test in these videos comes from Camera Canada – Canada’s dot.com for Cameras.Check out the links below to support a worthy Canadian company and to see exclusive content I make for them.Website: http://www.cameracanada.comInstagram: https://www.instagram.com/camera.canadaFacebook: https://www.facebook.com/CameraCanada Music:Much of the music you hear in my videos is provided by Soundstripe.Use this link to get an exclusive offer for signing up: https://soundstripe.grsm.io/GeraldUndoneAnd use the coupon code UNDONE for additional savings.

Overview of video codecs & file formats a hybrid shooter will encounter with a practical emphasis on editing & storage. Incl. ProRes on the Atomos Ninja V.

Today’s video is all about color science in cameras: why pretty doesn’t mean accurate, what makes Canon’s colors unique, and if it should affect your gear decisions.

Discussing various factors that affect depth of field including focal length, sensor size, f-stop, & distance to subject and debunking common DoF myths.

Did you know that f-stop isn’t a measurement of your lenses aperture, but is actually a ratio for the diameter of its entrance pupil? Clearing up misconceptions about aperture, f-stop, and f-numbers.

Covering some myths and misconceptions about how lenses designed for smaller sensors work & the pros and cons of using full frame glass on crop bodies.

Discussing the history of the Micro Four Thirds system, the pros and cons compared to larger sensors, & how it got the name Micro Four Thirds (M4/3).