Working with HLG / Sony Color Modes / Matching Picture Profiles – FAQ

Working with HLG / Sony Color Modes / Matching Picture Profiles – FAQ

Answering FAQs about Sony Color Modes, grading HLG & converting from BT.2020 to Rec. 709, how to match different picture profiles, and what LUTs to use.

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Table of Contents:
1:17 – How I Shoot My Videos (HLG)
1:40 – Recommended LUTs
2:14 – How I White Balance for These Tests
2:31 – Can You Grade HLG Even Though It’s Intended for HDR?
2:50 – Brief Explanation of BT.2020 & Rec. 709
3:17 – Why Shoot in BT.2020 vs Rec. 709
4:15 – How to Convert BT.2020 to Rec. 709 in Premiere Pro
5:03 – Final Cut Pro Instructions for 2020 & HLG
5:36 – Working with HLG in DaVinci Resolve
5:57 – Thoughts on Buying Picture Profiles (EOSHD Pro Color)
6:55 – The Picture Profile Settings I Use (Neutral Setting)
7:18 – My Easiest, Recommended Profile
7:54 – The Cine Profiles Are More Similar Than You Think
8:56 – Cinema Color Mode vs Pro Color Mode
9:15 – Some Notes on Grading Cine2
9:40 – How to Match the Cine Picture Profiles
11:14 – How I Grade HLG – Curves vs LUT
11:41 – Matching the Different HLG Versions (HLG1 vs HLG3)
12:46 – Popular Profile Settings Review & Comparison
12:52 – Evaluating EOSHD Pro Color V4
13:15 – The Problem with Custom Picture Profiles & Artistic LUTs
14:04 – Evaluating EOSHD Pro Color V4.0 HDR
14:18 – Evaluating Cody Blue’s Cine4 Settings
14:41 – Quick Grading Tip to Fix This Profile in Post
15:35 – Evaluating Cody Blue’s HLG3 Settings
15:48 – Pros & Cons of Adjusting the Black Level in Camera
16:13 – Evaluating Josh Yeo’s Low Light Profile
16:49 – Any Profile Can Become a Low Light Profile in Post
17:29 – Conclusion

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