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Canon Log LUT Pack
Technical LUTs for transforming Canon Log 2 & 3 / Cinema Gamut footage to Rec. 709 with enhanced color accuracy.
What’s Included:
In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors.
There is also a folder named General Purpose, which doesn't have any specific tweaks and can be used on cameras I haven’t customized yet with great results. However, since each camera also has minor color deviations, I'll continue to add camera-specific LUTs to address them. In the meantime, for any other Canon camera, simply use the General Purpose LUTs, which will still provide accurate, neutral color.
Contains:
General Purpose
R5 Mark II
C80
Variations:
I’ve provided LUTs for Canon Log 2 and Canon Log 3 for the cameras that offer both options. Also, for cameras that can shoot Raw video, I’ve included separate folders for AVC and RAW variants. They’re very similar, but did require small tweaks to match.
File Names Explained:
- Canon Log Undone 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- Canon Log Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- Canon Log Undone LC 65: Accurate neutral color with no curve changes. Better for high contrast scenes. LC = Low Contrast. Use in post-production and add contrast to taste.
- Canon Log Undone LC 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUTs are built on correct exposure principles from Canon’s whitepapers, which means 18% gray should be exposed to 39.8% in-camera, or a 10-bit code value of 407 for Canon Log 2, and 34.3% or 351 code value for Canon Log 3. This also matches the in-camera view assist and exposure tools so you can rely on them as well.
Technical LUTs for transforming Canon Log 2 & 3 / Cinema Gamut footage to Rec. 709 with enhanced color accuracy.
What’s Included:
In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors.
There is also a folder named General Purpose, which doesn't have any specific tweaks and can be used on cameras I haven’t customized yet with great results. However, since each camera also has minor color deviations, I'll continue to add camera-specific LUTs to address them. In the meantime, for any other Canon camera, simply use the General Purpose LUTs, which will still provide accurate, neutral color.
Contains:
General Purpose
R5 Mark II
C80
Variations:
I’ve provided LUTs for Canon Log 2 and Canon Log 3 for the cameras that offer both options. Also, for cameras that can shoot Raw video, I’ve included separate folders for AVC and RAW variants. They’re very similar, but did require small tweaks to match.
File Names Explained:
- Canon Log Undone 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- Canon Log Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- Canon Log Undone LC 65: Accurate neutral color with no curve changes. Better for high contrast scenes. LC = Low Contrast. Use in post-production and add contrast to taste.
- Canon Log Undone LC 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUTs are built on correct exposure principles from Canon’s whitepapers, which means 18% gray should be exposed to 39.8% in-camera, or a 10-bit code value of 407 for Canon Log 2, and 34.3% or 351 code value for Canon Log 3. This also matches the in-camera view assist and exposure tools so you can rely on them as well.