


DJI D-Log LUT Pack
Technical LUTs for transforming DJI D-Log / D-Gamut footage to Rec. 709 with enhanced color accuracy. Includes D-Log M when applicable.
What’s Included:
In this pack you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors. There is also a folder marked “General Purpose,” which does not have any specific tweaks and can be used on cameras I haven’t customized yet. You can also try the specific LUTs on different cameras if you prefer the results. For example, the Ronin 4D 8K LUTs will likely work quite well on the Inspire 3 due to the similarity in sensors and color intentions.
Contains:
General Purpose
Mavic 4 Pro
Osmo Pocket 3
Ronin 4D 6k
Ronin 4D 8K
File Names Explained:
- D-Log Undone 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- D-Log Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- D-Log Undone LC 65: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post-production and add contrast to taste.
- D-Log Undone LC 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- D-Log Undone Vivid: More saturated version. Intended for the telephoto cameras on the Mavic 4 Pro, which are less saturated than the main camera. (LC, 65, and 33 included)
- D-Log M Undone 65: Use when shooting with D-Log M gamma. Accurate color, minimal changes to curve. Use in post-production.
- D-Log M Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUT is built on correct exposure principles from DJI’s whitepaper, which means 18% gray should be exposed to 40% in-camera, or a 10-bit code value of 408. This also matches the in-camera view assist and exposure tools so you can rely on them as well.
Technical LUTs for transforming DJI D-Log / D-Gamut footage to Rec. 709 with enhanced color accuracy. Includes D-Log M when applicable.
What’s Included:
In this pack you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors. There is also a folder marked “General Purpose,” which does not have any specific tweaks and can be used on cameras I haven’t customized yet. You can also try the specific LUTs on different cameras if you prefer the results. For example, the Ronin 4D 8K LUTs will likely work quite well on the Inspire 3 due to the similarity in sensors and color intentions.
Contains:
General Purpose
Mavic 4 Pro
Osmo Pocket 3
Ronin 4D 6k
Ronin 4D 8K
File Names Explained:
- D-Log Undone 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- D-Log Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- D-Log Undone LC 65: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post-production and add contrast to taste.
- D-Log Undone LC 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- D-Log Undone Vivid: More saturated version. Intended for the telephoto cameras on the Mavic 4 Pro, which are less saturated than the main camera. (LC, 65, and 33 included)
- D-Log M Undone 65: Use when shooting with D-Log M gamma. Accurate color, minimal changes to curve. Use in post-production.
- D-Log M Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUT is built on correct exposure principles from DJI’s whitepaper, which means 18% gray should be exposed to 40% in-camera, or a 10-bit code value of 408. This also matches the in-camera view assist and exposure tools so you can rely on them as well.