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DJI D-Log LUT Pack
This pack contains technical LUTs for transforming DJI D-Log / D-Gamut footage to Rec. 709 with enhanced color accuracy.
What’s Included:
In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors. There's also a folder called General Purpose, which works well on cameras I haven't yet customized. But because each sensor does have minor color variations, I’ll continue to create camera-specific LUTs and will send those out to customers of this pack as a free upgrade when they’re complete. You can also try certain camera specific LUTs on other cameras if you prefer the results. For example, the Ronin 4D 8K LUTs will likely work quite well on the Inspire 3 due to the similarity in sensors and color intentions.
Contains:
General Purpose
Mavic 4 Pro
Osmo Pocket 3
Ronin 4D 6k
Ronin 4D 8K
Osmo Action 5
File Names Explained:
- D-Log Undone 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- D-Log Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- D-Log Undone LC 65: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post-production and add contrast to taste.
- D-Log Undone LC 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- D-Log Undone Vivid: More saturated version. Intended for the telephoto cameras on the Mavic 4 Pro, which are less saturated than the main camera. (LC, 65, and 33 included)
- D-Log M Undone 65: Use when shooting with D-Log M gamma. Accurate color, minimal changes to curve. Use in post-production.
- D-Log M Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Exposure & Tips:
Expose neutrally. These LUTs are built on correct exposure principles from DJI’s whitepapers, which state that 18% gray should be exposed to 40% (10-bit code value of 408).This also matches the in-camera view assist and exposure tools, so you can rely on them as well.
If you're applying the LUT to over or underexposed footage, it's recommended that you adjust the exposure in an earlier step in your color workflow before applying the LUT. In DaVinci Resolve for instance, this would mean putting an exposure adjustment node before the LUT node.
It's good practice to place this LUT near the end of your color pipeline. This will make adjustments to exposure, white balance, saturation, and other parameters more consistent and allow you to recover more information when compared to attempting to adjust those things after the LUT is applied.
This pack contains technical LUTs for transforming DJI D-Log / D-Gamut footage to Rec. 709 with enhanced color accuracy.
What’s Included:
In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors. There's also a folder called General Purpose, which works well on cameras I haven't yet customized. But because each sensor does have minor color variations, I’ll continue to create camera-specific LUTs and will send those out to customers of this pack as a free upgrade when they’re complete. You can also try certain camera specific LUTs on other cameras if you prefer the results. For example, the Ronin 4D 8K LUTs will likely work quite well on the Inspire 3 due to the similarity in sensors and color intentions.
Contains:
General Purpose
Mavic 4 Pro
Osmo Pocket 3
Ronin 4D 6k
Ronin 4D 8K
Osmo Action 5
File Names Explained:
- D-Log Undone 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- D-Log Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- D-Log Undone LC 65: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post-production and add contrast to taste.
- D-Log Undone LC 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- D-Log Undone Vivid: More saturated version. Intended for the telephoto cameras on the Mavic 4 Pro, which are less saturated than the main camera. (LC, 65, and 33 included)
- D-Log M Undone 65: Use when shooting with D-Log M gamma. Accurate color, minimal changes to curve. Use in post-production.
- D-Log M Undone 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Exposure & Tips:
Expose neutrally. These LUTs are built on correct exposure principles from DJI’s whitepapers, which state that 18% gray should be exposed to 40% (10-bit code value of 408).This also matches the in-camera view assist and exposure tools, so you can rely on them as well.
If you're applying the LUT to over or underexposed footage, it's recommended that you adjust the exposure in an earlier step in your color workflow before applying the LUT. In DaVinci Resolve for instance, this would mean putting an exposure adjustment node before the LUT node.
It's good practice to place this LUT near the end of your color pipeline. This will make adjustments to exposure, white balance, saturation, and other parameters more consistent and allow you to recover more information when compared to attempting to adjust those things after the LUT is applied.