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Technical LUTs for transforming Nikon N-Log footage to Rec. 709 with enhanced color accuracy.
What’s Included:
In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors.
There is also a folder named General Purpose, which doesn't have any specific tweaks and can be used on cameras I haven’t customized yet with great results. However, since each camera also has minor color deviations, I'll continue to add camera-specific LUTs to address them. In the meantime, for any other Sony camera, simply use the General Purpose S-Log3 LUTs, which will still provide accurate, neutral color.
Contains:
General Purpose
Z6 III
Z6 II
Z5 II
Zf
ZR
Variations:
I’ve provided LUTs for N-Log and RED Log3G10 for the ZR. And for the cameras that can shoot N-RAW, I’ve included separate folders for H.265 and RAW variants. They’re very similar, but did require small tweaks to match.
File Names Explained:
- N-Log Undone LUT: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- N-Log Undone LUT (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- N-Log Undone LUT LC: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post and add contrast to taste.
- N-Log Undone LUT LC (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUTs are built on correct exposure principles from Nikon’s whitepaper, which means 18% gray should be exposed to around 35% in-camera, or a 10-bit code value of 372. For the ZR using RED’s Log3G10, it’s 33% or a 341 code value. This also matches the in-camera view assist and exposure tools so you can rely on them as well.
Technical LUTs for transforming Nikon N-Log footage to Rec. 709 with enhanced color accuracy.
What’s Included:
In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors.
There is also a folder named General Purpose, which doesn't have any specific tweaks and can be used on cameras I haven’t customized yet with great results. However, since each camera also has minor color deviations, I'll continue to add camera-specific LUTs to address them. In the meantime, for any other Sony camera, simply use the General Purpose S-Log3 LUTs, which will still provide accurate, neutral color.
Contains:
General Purpose
Z6 III
Z6 II
Z5 II
Zf
ZR
Variations:
I’ve provided LUTs for N-Log and RED Log3G10 for the ZR. And for the cameras that can shoot N-RAW, I’ve included separate folders for H.265 and RAW variants. They’re very similar, but did require small tweaks to match.
File Names Explained:
- N-Log Undone LUT: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- N-Log Undone LUT (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- N-Log Undone LUT LC: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post and add contrast to taste.
- N-Log Undone LUT LC (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUTs are built on correct exposure principles from Nikon’s whitepaper, which means 18% gray should be exposed to around 35% in-camera, or a 10-bit code value of 372. For the ZR using RED’s Log3G10, it’s 33% or a 341 code value. This also matches the in-camera view assist and exposure tools so you can rely on them as well.