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Panasonic V-Log LUT Pack
Technical LUTs for transforming Panasonic V-Log / V-Gamut footage from LUMIX cameras to Rec. 709 with enhanced color accuracy.
What’s Included:
In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors.
There is also a folder named General Purpose, which doesn't have any specific tweaks and can be used on cameras I haven’t customized yet with great results. However, since each camera also has minor color deviations, I'll continue to add camera-specific LUTs to address them. In the meantime, for any other LUMIX camera, simply use the General Purpose V-Log LUTs, which will still provide accurate, neutral color.
Contains:
General Purpose (Good for most cameras)
S1II
File Names Explained:
- V-Log Undone v2 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- V-Log Undone v2 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- V-Log Undone LC v2 65: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post and add contrast to taste.
- V-Log Undone LC v2 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
v2: This is version two of the LUT, which now includes a roll-off and compression for extremely saturated elements. Examples include blue screen, green screen, safety vests, bright RGB light on walls, high-visibility reflective clothing, etc. Some users reported the LUTs being too crunchy in those areas. The v2 LUTs should address those issues while still maintaining near-perfect color accuracy in normal saturation scenes.
Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUT is built on correct exposure principles from Panasonic’s whitepaper, which means 18% gray should be exposed to 42% in-camera, or a 10-bit code value of 433. This also matches the in-camera view assist and exposure tools so you can rely on them as well.
Technical LUTs for transforming Panasonic V-Log / V-Gamut footage from LUMIX cameras to Rec. 709 with enhanced color accuracy.
What’s Included:
In this pack, you’ll find separate folders for different cameras. These each have specific tweaks to achieve the best color accuracy for their respective sensors.
There is also a folder named General Purpose, which doesn't have any specific tweaks and can be used on cameras I haven’t customized yet with great results. However, since each camera also has minor color deviations, I'll continue to add camera-specific LUTs to address them. In the meantime, for any other LUMIX camera, simply use the General Purpose V-Log LUTs, which will still provide accurate, neutral color.
Contains:
General Purpose (Good for most cameras)
S1II
File Names Explained:
- V-Log Undone v2 65: Accurate, fully saturated color with a custom curve to give a finished look with one step. Use in post-production.
- V-Log Undone v2 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- V-Log Undone LC v2 65: Accurate neutral color with no changes to curve. Better for high contrast scenes. LC = Low Contrast. Use in post and add contrast to taste.
- V-Log Undone LC v2 33 (Monitoring): Same as above, but made compatible for loading into a camera or monitor.
v2: This is version two of the LUT, which now includes a roll-off and compression for extremely saturated elements. Examples include blue screen, green screen, safety vests, bright RGB light on walls, high-visibility reflective clothing, etc. Some users reported the LUTs being too crunchy in those areas. The v2 LUTs should address those issues while still maintaining near-perfect color accuracy in normal saturation scenes.
Tip: Adjust exposure before applying the LUT if the clip is over or underexposed. The LUT is built on correct exposure principles from Panasonic’s whitepaper, which means 18% gray should be exposed to 42% in-camera, or a 10-bit code value of 433. This also matches the in-camera view assist and exposure tools so you can rely on them as well.