Sony S-Log3 LUT Pack
Technical LUTs for transforming Sony S-Log3 / S-Gamut3.Cine footage to Rec. 709 with enhanced color accuracy.
Contains four files:
- S-Log3 Undone LUT: Accurate, fully saturated color with a custom curve to give a finished look with one step.
- S-Log3 Undone LUT (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- S-Log3 Undone LUT LC: Accurate neutral color with no changes to curve. Adjust contrast to taste.
- S-Log3 Undone LUT LC (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Updates: This latest version also includes specific tweaks for the Sony a1 II, Sony a7 IV, and Sony FX2. I’ll be adding more cameras to this list as time goes on. Any Sony camera shooting S-Log3 will look great with any of these LUTs, but each camera also has small deviations in color and so I’ll continue updating my list of camera specific LUTs. In the meantime, for any other Sony camera, just use the general S-Log3 LUTs in the parent folder for very accurate, neutral color.
Adjust exposure before applying LUT if the clip is over/under exposed. The LUT is built on correct exposure principles from Sony’s whitepaper. Matches camera view assist and exposure tools.
Technical LUTs for transforming Sony S-Log3 / S-Gamut3.Cine footage to Rec. 709 with enhanced color accuracy.
Contains four files:
- S-Log3 Undone LUT: Accurate, fully saturated color with a custom curve to give a finished look with one step.
- S-Log3 Undone LUT (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- S-Log3 Undone LUT LC: Accurate neutral color with no changes to curve. Adjust contrast to taste.
- S-Log3 Undone LUT LC (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Updates: This latest version also includes specific tweaks for the Sony a1 II, Sony a7 IV, and Sony FX2. I’ll be adding more cameras to this list as time goes on. Any Sony camera shooting S-Log3 will look great with any of these LUTs, but each camera also has small deviations in color and so I’ll continue updating my list of camera specific LUTs. In the meantime, for any other Sony camera, just use the general S-Log3 LUTs in the parent folder for very accurate, neutral color.
Adjust exposure before applying LUT if the clip is over/under exposed. The LUT is built on correct exposure principles from Sony’s whitepaper. Matches camera view assist and exposure tools.
Technical LUTs for transforming Sony S-Log3 / S-Gamut3.Cine footage to Rec. 709 with enhanced color accuracy.
Contains four files:
- S-Log3 Undone LUT: Accurate, fully saturated color with a custom curve to give a finished look with one step.
- S-Log3 Undone LUT (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
- S-Log3 Undone LUT LC: Accurate neutral color with no changes to curve. Adjust contrast to taste.
- S-Log3 Undone LUT LC (33-Monitoring): Same as above, but made compatible for loading into a camera or monitor.
Updates: This latest version also includes specific tweaks for the Sony a1 II, Sony a7 IV, and Sony FX2. I’ll be adding more cameras to this list as time goes on. Any Sony camera shooting S-Log3 will look great with any of these LUTs, but each camera also has small deviations in color and so I’ll continue updating my list of camera specific LUTs. In the meantime, for any other Sony camera, just use the general S-Log3 LUTs in the parent folder for very accurate, neutral color.
Adjust exposure before applying LUT if the clip is over/under exposed. The LUT is built on correct exposure principles from Sony’s whitepaper. Matches camera view assist and exposure tools.